An enigmatic, intermittently brilliant collection of essays about the built landscape of Britain and how it has changed in the last 30 years. -- Andy Beckett * Guardian *
Keiller is Britain's most observant and provocative film-maker around the subject of cities and the landscape. In these wonderful essays, he explores the political and cultural forces behind how the UK looks. -- Edwin Heathcote * Financial Times *
Perceptive, educated, un-obvious musings on place and inhabitation. -- Rowan Moore * Observer *
An essayist of stylish rigour on urban planning, architectural decay and the vast culturally occluded material infrastructure that subtends daily life in Britain. -- Brian Dillon * Guardian *
The View from the Train often delights with its sly, impish wit and observation [...] By turns earnest and entertaining, opens a window onto Britain's uncharted, off-piste lands and their haunted past. -- Ian Thomson * Independent *
Droll, analytical, and quietly furious. -- Sukhdev Sandhu * Icon *
Our most original geographical and political thinker. -- Owen Hatherley * Guardian *
Patrick Keiller is Britain's foremost film essayist, part historian, part poet, part landscape photographer. -- Nina Power
An enlightening and stimulating companion to his films. Keiller is a masterful observer. [.] His learned account of the earliest film panoramas filmed from trains is that of a man in love with the history and technique of cinema. He looks at urban buildings with a coldly original vision. * Irish Times *

Patrick Keiller's films include the celebrated London (1994), Robinson in Space (1997), The Dilapidated Dwelling (2000), and Robinson in Ruins (2010). He has devised large-scale installations including Londres, Bombay (Le Fresnoy, Tourcoing, 2006) and The Robinson Institute (Tate Britain, London, 2012), the latter accompanied by a book The Possibility of Life's Survival on the Planet. He was a Research Fellow at the Royal College of Art, London (2002-11), and has taught in schools of art and architecture since 1974.