'Dark, compelling, beautifully written'
Andrew Michael Hurley

In this eerie, atmospheric and mysterious tale, a woman returns to the house in Morecambe Bay where she grew up in the 1960s to find it falling apart, undermined by the roots of two huge sycamores. She is unaware that she has awoken the spirits of her parents, Jack and Nettie Clifford, who watch anxiously as their daughter Annette is overwhelmed by the state of the house and realise too late how far they neglected her as a child.

As their memories come alive, the story unfolds of a crucial summer when Annette was 8 and Nettie became too ill to run their boarding house. The lodgers have to go - all except the newly arrived butcher's apprentice, because he seems to have miraculous healing powers and is Jack and Nettie's last, desperate hope. But is he who he says he is? Why do those he lays his hands on feel an erotic charge? And why does he despise his own gift? As everything comes to a head, so too does Annette's story in the present. But this time, someone is looking out for her and comes to her rescue. Finally, the spirits of her parents can let go.

A disturbing, precisely rendered tale of charisma, misplaced faith and transgenerational trauma, with a touch of the supernatural . . . [it] brings to mind the claustrophobic, suburban world of Dennis Potter's great play Brimstone and Treacle. -- Alex Clark * Spectator *
Headily atmospheric and luminously written. Ashworth's narrative is packed with the pungent smells of the sea and decay . . . her pages are threaded with original, arresting images . . . not many writers could bind the supernatural and the literary with such lightness of touch -- Francesca Angelini * Sunday Times *
Ashworth's gift for capturing the quirky ordinariness of life is as sharp here as it is in her previous novels . . . Dark, compelling, beautifully written, Fell adds another powerful story to the mythology of our strange hinterlands. -- Andrew Michael Hurley * Guardian *
A beautifully written book which cleverly blurs fantasy and realism. -- David Mitchell * Daily Mail *
Despite the ethereal narrators, the book's triumph is in the corporeal, the ache of the mundane, the beauty of small things. The characters have a poetry of the ordinary - a brokenness reminiscent of Alan Bennett that makes them flesh and blood. -- Ruth McKee * Irish Times *
There's magic in this Lancashire-set novel . . . Atmospheric [and] empathic -- Stephanie Cross * Lady *

This marvellous novel is both haunted and haunting, as Ashworth expertly blurs the boundaries between the past and the present, the homely and the uncanny, the quick and the dead. Touching on profound questions of myth, mortality and redemption, it is both sinister and beautiful - and ultimately tender.

Jenn Ashworth is the author of the novels A Kind of Intimacy, which won a Betty Trask Award, Cold Light, The Friday Gospels, Fell and Ghosted: A Love Story, which was shortlisted for the Portico Prize. In 2011, she was featured on BBC Two's The Culture Show as one of the twelve Best New British Novelists. She has also written a memoir-in-essays, Notes Made While Falling, which was shortlisted for the Gordon Burn Prize. She lives in Lancashire and is a Professor of Writing at Lancaster University.