1.41Kg of CO2
176 litre(s) of Water
0.0106 Tree(s)
1 book donated to global literacy projects
Modern British Playwriting: The 1960s :Voices, Documents, New Interpretations - Decades of Modern British Playwriting
Modern British Playwriting: The 1960s :Voices, Documents, New Interpretations - Decades of Modern British Playwriting
paperback
Published:
25 October, 2012
Popular Books by Dr. Steve Nicholson
View All Books by Dr. Steve Nicholson
Description
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .
The 1960s was a decade of seismic changes in British theatre as in society at large. This important new study in Methuen Drama's Decades of Modern British Playwriting series explores how theatre-makers responded to the changes in society. Together with a thorough survey of the theatrical activity of the decade it offers detailed reassessments of the work of four of the leading playwrights.
The 1960s volume provides in-depth studies of the work of four of the major playwrights who came to prominence: Edward Bond (by Steve Nicholson), John Arden (Bill McDonnell), Harold Pinter (Jamie Andrews) and Alan Ayckbourn (Frances Babbage). It examines their work then, its legacy today, and how critical consensus has changed over time.
More Details
| Type | Book |
|---|---|
| ISBN13 | 9781408129579 |
| ISBN10 | 1408129574 |
| Number Of Pages | 352 |
| Item Weight | 400 g |
| Product Dimensions | 136 x 214 x 28 mm |
| Publisher / Reseller | Bloomsbury Publishing PLC |
| Format | paperback |
GoodReads Reviews
Author's Bio
Steve Nicholson is Director of Drama within the English Department at the University of Sheffield, UK. Series editors: Richard Boon, Emeritus Professor of Drama, the University of Hull, UK, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds, UK.