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Don't Touch My Hair

4.27 ( 4,218 Ratings by Goodreads)
Don't Touch My Hair

Don't Touch My Hair

(Author)
4.27 (4,218 Ratings by Goodreads)
paperback
Published: 5 March, 2020
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Description

'Groundbreaking . . . a scintillating, intellectual investigation into black women and the very serious business of our hair, as it pertains to race, gender, social codes, tradition, culture, cosmology, maths, politics, philosophy and history' Bernardine Evaristo

Straightened. Stigmatized. 'Tamed'. Celebrated. Erased. Managed. Appropriated. Forever misunderstood. Black hair is never 'just hair'.

This book is about why black hair matters and how it can be viewed as a blueprint for decolonisation. Over a series of wry, informed essays, Emma Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and on to today's Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look everything from hair capitalists like Madam C.J. Walker in the early 1900s to the rise of Shea Moisture today, from women's solidarity and friendship to 'black people time', forgotten African scholars and the dubious provenance of Kim Kardashian's braids.

The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the (afro)futuristic. Uncovering sophisticated indigenous mathematical systems in black hairstyles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, Don't Touch My Hair proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.

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More Details

Type Book
ISBN13 9780141986289
ISBN10 014198628X
Number Of Pages 256
Item Weight 191 g
Product Dimensions 129 x 198 x 14 mm
Publisher / Reseller Penguin Books Ltd
Format paperback
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Media Reviews

Emma Dabiri's groundbreaking Don't Touch My Hair is a scintillating, intellectual investigation into black women and the very serious business of our hair, as it pertains to race, gender, social codes, tradition, culture, cosmology, maths, politics, philosophy and history, and also the role of hairstyles in pre-colonial Africa -- Bernardine Evaristo * The Times Literary Supplement Books of the Year *
FASCINATING, educational, personal, humble and engaging. I urge you to read it! -- Marian Keyes
I've been pleasantly engrossed this autumn in Emma Dabiri's nonfiction debut Don't Touch My Hair. Part memoir, part spiky, thoroughly researched socio-political analysis, it delves deep into the painful realities and history of follicular racism -- Diana Evans * Observer Books of the Year *
Both a richly researched cultural history and a voyage to empowerment. -- Colin Grant * Guardian *
Sensational * Women's Health *
Pulled together with meticulous research, Don't Touch My Hair is an unmissable read by a writer who's set to become a household name -- Francesca Brown * Stylist *
The first book from one of Ireland's brightest literary talents, Don't Touch My Hair brilliantly deconstructs western views of everything from beauty to social value systems, and even to our understanding of time, all through the lens of how African cultures value hair. * Hotpress *
Groundbreaking...Her sources are rich, diverse and sometimes heartbreaking. Some books make us feel seen and for me, that is what Don't Touch My Hair does. I would urge everyone to read it -- Charlie Brinkhurst-Cuff * Guardian *
An excellent and far reaching book...a call to arms for black African culture * Irish Times *
A powerful and arrestingly relatable account of the rich history of Afro hair that seamlessly interweaves her personal perspective with meticulously researched historical facts * Metro *

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GoodReads Reviews

Author's Bio

Emma Dabiri is a teaching fellow in the African department at SOAS, a Visual Sociology PhD researcher at Goldsmiths and author of the Sunday Times bestseller What White People Can Do Next and Don't Touch My Hair. She has presented several television and radio programmes including BBC Radio 4's critically-acclaimed documentaries 'Journeys into Afro-futurism' and 'Britain's Lost Masterpieces'.

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