Ohne Worte :Vocality and Instrumentality in 19th-Century Music - Collected Writings of the Orpheus Institute
Ohne Worte :Vocality and Instrumentality in 19th-Century Music - Collected Writings of the Orpheus Institute
paperback
Published:
12 November, 2014
Description
The musical thought and practice of canonical composers
What can music tell us—without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today?
In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors
Jean-Pierre Bartoli (Université Paris–Sorbonne), Hubert Moßburger (Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Université Paris–Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Künste Bern)
More Details
| Type | Book |
|---|---|
| ISBN13 | 9789058679987 |
| ISBN10 | 9058679985 |
| Number Of Pages | 100 |
| Item Weight | 454 g |
| Publisher / Reseller | Leuven University Press |
| Format | paperback |
Author's Bio
William Brooks is professor of music at the University of York, emeritus professor at the University of Illinois, scholar-in-residence at the Newberry Library, and senior research fellow at the Orpheus Institute.