Georges Seurat (1859-1891) was only 31 when he died, but during his short life he created hundreds of drawings, oil sketches, and paintings on canvas that introduced a fresh perspective in European painting.As a student at the École des Beaux-Arts in Paris, he carefullly observed the work of Delacroix and became fascinated with the interplay between light and color. In doing so, he developed Divisionism, using small dabs of paint from the point of the brush to create pointilist images that shimmered with luminescence and hinted at movement.In this accessible introduction to Seurat, meet an artist driven by a need to capture nature and the simple pleasures of life through a new language of painting.

“Seurat’s work conveys an appeal similar to that of hearing a symphony.” * Félix Fénéon *

Hajo Düchting (1949–2017) studied art history, philosophy, and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay’s Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrücken, and Mainz. Düchting published numerous articles on the art of the modern era, color theory, and the teaching of art, and authored a number of TASCHEN titles, including Paul Cézanne, Wassily Kandinsky, and Georges Seurat.