This limited edition artist’s book brings together digital collages and manipulated photographs by painter James White based on the celebrated and hugely influential series 'Evidence' by Mike Mandel and Larry Sultan. In 'Evidence', Sultan and Mandel drew on the archives of more than a hundred US government agencies, finding surreal narrative suggestions in deadpan images that were intended as functional documents, upending and interrogating the documentary natures they espoused. The book has been a continual reference for the grayscale photographic paintings for which James White has become known. In this volume, White pays tribute to Sultan and Mandel’s project by further undermining the evidentiary nature of the photographic medium through a process of intervention and painterly gesture which disrupts and reconstitutes the images’ mercurial surfaces. Published as a limited edition of 1000 signed copies.

James White (b.1967) lives and works in London, UK. He received his BA from the Wimbledon School of Art in 1989 and his MA from the Royal College of Art in 1991. He has been the subject of solo and group exhibitions at international institutions such as The Goss-Michael Foundation, Dallas, TX; Kunsthal, Rotterdam, The Netherlands; the Olbricht Collection, Weserburg Museum of Modern Art, Bremen, Germany; and the Institute of Contemporary Art (ICA), London, United Kingdom, amongst others. White was a John Moores 24 prizewinner in 2008 and the subject of a major monograph, James White: Paintings, with essays by Martin Herbert and Jeremy Millar (FUEL, 2011). In 2017 White’s large-format paintings were presented in the publication Bodies, and in 2018 Small Paintings was published, both by Kerber Verlag.