Almanacs: a mythic scrapbook, bag of cats, a one-man band...Jen Hadfield's Almanacs is concerned with lists, rules and archetypes and what they don't account for. It takes as its subjects the Tarot, the lore of Full Moons, weather myths and travellers' tales. The book's central sequence, Lorelei's Lore, is a road movie in poems, set in the north of Scotland: Ultima Thule, hijacked by elusive sirens and Harrier jets. There's the ruthless Lorelei, gorgeous Ghosty who's given up on everything except the Road, and Skerryman, patron saint of bad weather and absence-makes-the-heart-grow-fonder. It's obsessed with yearning, like the two seas separated by the tip of Shetland 'metres apart/and desperate for each other.' Lorelei's Lore wonders 'what's beautiful?' (tarmac? sheep carcasses? sunburn?) and 'where's your native home?'

A quick mind abroad alone in the ever-changing natural landscape. The language country-rooted, specific, of clear observation: a sophisticated, refreshing country brew. There are many memorable images in the described coquettish dance of nature's primal forces. This is an excellent collection - Jen Hadfield is a whole and committed poet. -- Tom Leonard
A zestful poet of the road, a beat poet of the upper latitudes, Jen Hadfield conjures poems and prose-poems of great spirit and imaginative daring from the northern landscapes. Lively, youthful and full of the joy of language, Almanacs is the most refreshing debut for ages. -- Kathleen Jamie

Jen Hadfield lives in Shetland where she works as a poet and writing tutor. Her first collection Almanacs (Bloodaxe Books, 2005) was written in Shetland and the Western Isles in 2002 thanks to a bursary from the Scottish Arts Council, and it won an Eric Gregory Award in 2003, which enabled her to work on her second collection, Nigh-No-Place (Bloodaxe Books, 2008), in Canada and Shetland. She went on to win the T.S. Eliot Prize for Nigh-No-Place, which was also a Poetry Book Society Recommendation as well as being shortlisted for the Forward Prize for Best Collection. She has also received a Dewar Award to produce a solo exhibition of Shetland ex-votos in the style of sacred Mexican folk art, incorporating rubrics of very short fiction, and won the Edwin Morgan Poetry Competition in 2012. Her third collection, Byssus, was published by Picador in 2014.