This comprehensive anthology celebrates four centuries of women’s poetry, covering over 100 poets from a wide range of social backgrounds across the English-speaking world. Familiar names – Anne Bradstreet, Aphra Behn, Elizabeth Barrett Browning, the Brontë sisters, Emily Dickinson, and Christina Rossetti – appear alongside other writers from America, Australia, Canada, India and New Zealand as well as the UK. The poets range from queens and ladies of the court to a religious martyr, a spy, a young slave, a milkmaid, labourers, servants, activists, invalids, émigrées and pioneers, a daring actor, and the daughter of a Native American chief. Whether writing out of injustice, religious or sexual passion, humour, or to celebrate their sex, their different cultures, environments, personal beliefs and relationships, these women have strong, independent spirits and voices we cannot ignore. In 1652, speaking of the poems she had published as her ‘babes’, a woman we know only as ‘Eliza’, answered ‘a Lady that bragged of her children’: Thine at their birth did pain thee bring, When mine are born, I sit and sing. Robyn Bolam’s helpfully annotated selection is illustrated with informative biographies. The texts are based on early editions or manuscripts but with modern spelling.

Robyn Bolam, freelance poet, editor and reviewer, was born in Newcastle, grew up in Northumberland and now lives in Hampshire. She is Emeritus Professor at St Mary’s University, a former Royal Literary Fund Fellow at Southampton University and RLF Lector on the Isle of Wight. In 2016-17, she led the community-based, combined arts Ferry Tales Project which was supported using public funding by the National Lottery through Arts Council England. She has published three books of poems with Bloodaxe, The Peepshow Girl (1989, as Marion Lomax), Raiding the Borders (1996, as Marion Lomax), New Wings: Poems 1977-2007 (2007), a Poetry Book Society Recommendation, and Hyem (2017). She is the editor of the anthology, Eliza's Babes: Four Centuries of Women's Poetry in English (Bloodaxe Books, 2005), and of five seventeenth-century plays. In 1981 she received an Eric Gregory Award from the Society of Authors and won first prize in the Cheltenham Festival Poetry Competition. Her libretto for the opera Beyond Men and Dreams (composer Bennett Hogg) was performed by the Royal Opera House Garden Venture in 1991. She was awarded a Hawthornden International Fellowship in 1993, held a British Council writing residency at the University of Stockholm in 1998, and was Writer in Residence at the University of Reading in 2010-11. She has given readings of her poetry in Britain, Portugal, Sweden, Romania, USA and Japan.