LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2023 From the author of Apollo's Angels, the first major biography of the figure who modernised dance: an intimate portrait of the man behind the mythology, set against the vibrant backdrop of the century that shaped him Balanchine's radical approach to choreography reinvented the art of dance and his richly evocative ballets made him a lasting legend. Today, nearly thirty years after his death, the man is still so revered that the mysteries of his biography are often overlooked. Who was George Balanchine? Born in Russia under the last Czar, Balanchine experienced the upheavals of World War One, the Russian Revolution, exile, World War Two and the cultural Cold War; he was part of the Russian modernist moment, a key player in Paris in the 1920s, and in New York he revolutionized ballet, pressing it to the forefront of modernism and making it serious and popular art. His influences were myriad. He considered himself Georgian, yet he did not step foot in his ancestral homeland until he was in his fifties. He was deeply influenced by the cold grandeur and sensuous beauty of the Orthodox Church, but equally absorbed by the new rhythms and dance steps coming out of Harlem in the 1930s. He collaborated broadly, with figures like Diaghilev and Stravinsky. A man of muses, Balanchine was married five times, always to young dancers, and consumed by many other loves in between. The difficulties of his life - personal losses, bouts of ill health, debilitating loneliness and dark moods of despair - resonate in his dances, which speak so poignantly of love and loss, and yet the full implications for his art remain unexplored. Now for the first time we look beyond the myth of 'Mr B' - the mask which Balanchine himself helped to create - to see 'Mr B' the man.

A sensitive, stately and often thrilling new biography... A serious act of cultural retrieval * The New York Times *
Written with unfailing passion, [Mr B.] provides a rich and prismatic portrait of an enigmatic genius * Sunday Telegraph *
[A] magnificent and gripping book * Spectator *
Engrossing... A poignant, fully rounded portrait of a fascinating man and a revelatory account of the art to which he dedicated his life * Economist *
One of the best stories of a Petersburger coming to America I've ever read. This isn't dutiful biography, this is literature as vibrant and alive as Balanchine's art -- Gary Shteyngart
A magnificent and enthralling biography with an epic historical sweep, inflected by the poignancy and sensitivity of an intimate literary portrait -- Marina Warner
Jennifer Homans's meticulously researched Mr. B gives us an artist who is as complicated, and even flawed, as he was groundbreaking and brilliant. It is a fascinating read about a true genius and his unrelenting thirst for beauty in art and in life -- Mikhail Baryshnikov
Perfectly calibrated, sympathetic where necessary, fearlessly critical elsewhere, and a much-needed demolition of the Mr. B myths - the flawed genius tropes - that manages, in energetic, evocative prose, to enhance the intellectual and spiritual powers of Balanchine's ballets and the art overall -- Simon Morrison, author of Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today
Jennifer Homans has not only resurrected George Balanchine down to the perfumed silk foulard, offering up a life of fairy-tale turns and tenacious demons, of prodigious imagination and impossible standards, of five wives and the slew of almost-wives. She has restored the Russia that disappeared out from behind Balanchine and the lush mirage that endured. More remarkably, she pins dance to the page with the precision, intensity, and range her subject prized. The result is lyrical and commanding, among the most electrifying pas de deux you're likely to find on the biography shelf. -- Stacy Schiff * winner of the Pulitzer Prize, New York Times bestselling author of The Witches and Cleopatra *
I'm entranced by Homans's chief gifts: her ability to pin a character instantly on the page, bringing to bear the back story and even more distinctively, her own ballet training infusing the story with a rare physicality. Then too there is the deftness of conveying Mr B.'s flaws of cruelty, caprice and autocracy without undermining his art.... Extraordinary -- Lyndall Gordon
No previous biography of George Balanchine has caught so many of the disparate layers of this superlative choreographer to such revelatory effect -- Alastair Macaulay, Chief Dance Critic * The New York Times *

Jennifer Homans is the dance critic for the New Yorker. Her widely acclaimed Apollo's Angels: A History of Ballet was a bestseller and named one of the 10 best books of the year by the New York Times Book Review. Trained in dance at George Balanchine's School of American Ballet, she performed professionally with the Pacific Northwest Ballet. She earned her BA at Columbia University and her PhD in modern European history at New York University, where she is a Scholar in Residence and the Founding Director of the Center for Ballet and the Arts.