See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.

Following Dyer's previous books on photography, The Ongoing Moment and The Street Philosophy of Garry Winogrand, See/Saw brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work.

In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.

In these seductively curious essays, Dyer scrutinises images and photographers, unearthing hidden truths and a sense of the uncanny * * Observer, Book of the Day * *
Fascinating . . . Dyer is not merely a fine prose stylist but a writer of knowingly stylish prose . . . This is both a beautifully written and a beautiful book -- Stuart Kelly * * Scotsman * *
The acclaimed essayist and novelist is also one of the world's greatest writers on photography . . . Reading this book is, simply put, a pleasurable experience * * Irish Times * *
Fascinating . . . The reader is taken on a visual and intellectual journey, so that once you have read Dyer's words, you return to the photograph he describes, seeing it afresh and in ways that you might never had considered . . . Compelling * * Herald * *
A beautifully written book on photography * * Scotland on Sunday * *
Wide-ranging and eclectic . . . Dyer is at his best when he stays close to the images, teasing out their meanings with astute observations or poetic readings . . . Fascinating . . . Insightful * * TLS * *
Dyer turns his erudite eye on some of the most important photographers of the past 150 years in his latest collection of essays . . . Dyer follows in the footsteps of John Berger and Susan Sontag with this guide on how to "read a photograph", decoding and deciphering images by August Sander, Dayanita Singh, William Eggleston and Vivian Maier, among others * * Art Newspaper * *
A marvel . . . There is a great chewy joy to reading Dyer - in See/Saw, cheeky stretched conceits are applied to tasty ideas as he operates surgically on the heart of a concept with an apposite quote from someone relevant or learned. He has a talent for contracting the long and insightful into the short and insightful . . . Fascinating * * Dublin Review of Books * *
Dyer is a brilliant writer fascinated by photography and the ideas that pulse through it . . . What makes Dyer's prose so readable is not simply that he is a knowledgeable and astute critic, but that he is able to shape sophisticated ideas into engaging prose . . . Beautifully presented, this is an insightful collection of articles that deepens our understanding of the subtle power of photography * * Black and White Photography Review * *
Thoroughly affecting . . . See/Saw is a collection best dipped into and savoured in short bursts . . . [A] diverse catalogue of pathos, humour and intrigue . . . Throughout this collection he proves to be a master weaver of information and stories . . . See/Saw demonstrates that words, much like the photographs they are describing, can lead to elongation and excavation of our own experiences. In Dyer's hands, short glances become deep gazes and snap encounters become lingering memories * * SOURCE Magazine * *

Geoff Dyer is the author of ten non-fiction books and four novels. He has won the Somerset Maugham Prize, the Bollinger Everyman Wodehouse Prize for Comic Fiction, a Lannan Literary Award, the International Center of Photography's 2006 Infinity Award for writing on photography and the American Academy of Arts and Letters' E.M. Forster Award. In 2012 he won a National Book Critics Circle Award and in 2015 he received a Windham Campbell Prize for non-fiction. His books have been translated into twenty-four languages. He currently lives in Los Angeles where he is Writer in Residence at the University of Southern California.