'An outstanding novel' Observer

'A writer of blistering intellect' Los Angeles Times

'Unexpected and richly imaginative' London Review of Books

'A first novel of intricate merit ... A rich imagination glitters throughout' Mail on Sunday
In the spring of 1914, German photographer August Sander captures a haunting image: three young men on their way to a country dance, themselves unknowingly on the brink of the First World War. This photograph becomes the focal point of Richard Powers’ compelling debut novel.
The fate of the three farmers is intertwined with two contemporary stories: a museum-goer becomes obsessed with the photograph, and a young writer in Boston discovers he has a personal connection to it. Seamlessly blended together, these three narratives depict a century scarred by savagery and fired by progress.

An outstanding novel * Observer *
A first novel of intricate merit... A rich imagination glitters throughout * Mail on Sunday *
Unexpected and richly imaginative ... Full of intellectual descriptions and stylistic diversions * London Review of Books *
A writer of blistering intellect ... [Powers is] a novelist of ideas and a novelist of witness, and in both respects, he has few American peers * Los Angeles Times *
If Powers were an American writer of the nineteenth century he'd probably be the Herman Melville of Moby-Dick. His picture is that big -- Margaret Atwood

Richard Powers has published fourteen novels. He is a MacArthur Fellow and received the National Book Award. He won the Pulitzer Prize for Fiction for The Overstory. He lives in the Great Smoky Mountains.