The Ceramic Surface
The Ceramic Surface
hardback
Published:
20 February, 2025
Description
A celebration of the ingenuity and diversity of talent found in contemporary ceramics.
In this book, Matthias Ostermann presents an exploration of the ceramic surface through an examination of the works of 200 ceramicists from around the world. His overview of these varied artists’ work throws up a huge spectrum of contemporary techniques and approaches. This collection focuses on the vessel and platter – including the non-functional, the metaphoric, the narrative, and even the sculptural.
Each image is accompanied by technical information as well as a statement of the artist’s inspiration and motivation that offers insight into the concept of the piece. The surfaces themselves show a wide range of techniques of making, decorating and firing, offering a sumptuous selection of ideas and methods. An inspiring read for ceramicists, educators, and historians alike!
More Details
| Type | Book |
|---|---|
| ISBN13 | 9781789943818 |
| ISBN10 | 1789943817 |
| Number Of Pages | 208 |
| Item Weight | 920 g |
| Product Dimensions | 218 x 272 x 18 mm |
| Publisher / Reseller | Bloomsbury Publishing PLC |
| Format | hardback |
Media Reviews
... a beautifully produced book providing inspiration and information for students and ceramicists alike. * KPA Newsletter (2009) *
Over 200 pages of glorious colour to dip into and discover a multitude of different ceramic surfaces. * Craft & Design magazine, July/Aug. 09 *
This book is an absolute treasure ... suitable for all levels of experience. * www.karenplatt.co.uk (June 2009) *
... this beautiful book will provide inspiration to ceramicists, educators and historians alike. * London Potter Newsletter (August/September 2009) *
Author's Bio
Matthias Ostermann was a ceramicist active in the years 1974-2009, born in Germany but eventually settling in Canada. A well-travelled artist, he lectured and taught in many countries, notably Australia, New Zealand, the United States and the UK. In the 2000s he developed an interest in oriental high-fire glazes. His strong leaning towards painting and narrative work in particular came from a love of stories, myths and legends, a legacy from his mother who was a professional raconteuse.