Irish Times: Books to Look Out for in 2025

This collection of stories, written especially for BBC Radio 4, includes a ten-part sequence: ‘The Circus’, set around Cliftonville Circus, where five roads meet in North Belfast.

It’s five minutes from the nationalist Troubles flashpoint of Ardoyne, where Paul grew up. It’s close to Holy Cross Girls’ School, where protests targeting primary school children drew international attention. The Circus is situated in the poorest part of Belfast – it is also the most divided.

Each road leads to a different area – a different class – a different religion. The Circus explores where old Belfast clashes with the new around acceptance, change, class and diversity. But this is 2024 and a fresh energy exists.

Other stories include ‘Tickles’, a story about a man visiting his mother in a dementia ward where he finds he is the one who had forgotten important things; ‘Cuckoo’, about a man’s collapse and surgery – where he feels something more sinister has happened to him; and ‘Daddy Christmas’, where a gay man writes a letter to the son he never had.

Each story is told from the point of view of a different character and they vary in age, sex and sexuality, from schoolgirls to drag queens, cleaners to abused wives and even a character peaking in English as their second language. McVeigh differentiates his characters with ease and skill, using language, style and structure to make each voice individual, distinctive and ultimately believable.

McVeigh has an enviable ability to create an immediately recognisable character from a quick glance and drawing out the relationships of disparate characters from the common situations that has shaped them. While each individual story can seem like a sketch, there is an overarching plot as the events of the talent competition unravel some relationships and force others into the open. Linking the stories further, there is the common theme: the ability to create one’s own family out of friendship when their own families let them down. No-one will close I Hear You without the life-affirming feeling that there are possibilities in every life.

Paul McVeigh’s writing has demonstrated an ongoing commitment to working-class and queer representation, and this sustained energy flows through this collection, to illuminating effect – for this is a world of change, of openness, of the drunkenness of things being various.

The collection includes a series of ten interlinked stories called ‘The Circus’ which introduce a colourful selection of characters from the north Belfast streets, whose varied lives intersect thanks to a local talent competition. Their stories are told with McVeigh’s trademark warmth, wit and humour.

Born in Belfast, Paul’s work has been performed on stage and radio, published in print and translated into seven languages. He began his career as a playwright before moving to London where he wrote comedy shows, which were performed at the Edinburgh Festival and in London’s West End. Moving into prose, his short stories have been published in anthologies & literary journals been read on BBC Radio 3, 4 & 5. ‘Hollow’ was shortlisted for Irish Short Story of the Year at the Irish Book Awards in 2017. Paul co-founded the London Short Story Festival, of which, he was Director and Curator for 2014 & ’15. He is associate director at Word Factory, ‘the UK’s national organisation for excellence in the short story’ The Guardian.