Medieval Clothing and Textiles 13

Medieval Clothing and Textiles 13 - Medieval Clothing and Textiles

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Published: 16 June, 2017
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Description

The best new research on medieval clothing and textiles, drawing from a range of disciplines. Three of the essays in this collection focus on Italy, with contributions on footwear in Lucca based on documentary evidence of the fourteenth century; aristocratic furnishings as described in a royal letter of the fifteenth century, along with its first translation into English; and Boccaccio's treatment of disguise involving Christian/Islamic identity shifts in his Decameron. The Bayeux Tapestry is discussed as a narrative artwork that adopts various costumes for semiotic purposes. Another chapter considers surviving artefacts: a detailed study of a piece of quilted fabric armour, one of two such items surviving in Lübeck, Germany, reveals how it was made and suggests reasons for some of the unusual features. The volume also includes an investigation of the commercial vocabulary related to the medieval textile and fur industries: the terms used in Britain for measuring textile and fur are listed and discussed, especially the unique use of Anglo-French "launces" in a document of 1300. Contributors: Jane Bridgeman, Mark C. Chambers, Jessica Finley, Ana Grinberg, Christine Meek, Gale R. Owen-Crocker
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More Details

Type Book
ISBN13 9781783272150
ISBN10 1783272155
Number Of Pages 182
Item Weight 494 g
Publisher / Reseller Boydell & Brewer Ltd
Format hardback
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Media Reviews

Those working in the sphere of medieval clothing and textiles are very fortunate. Medieval Clothing and Textiles is a series which maintains high standards, showcases new research and is beautifully produced. * MEDIEVAL ARCHAEOLOGY *
An excellent collection... it provides both new information and new perspectives on studying the medieval clothing culture through a comparative and interdisciplinary approach. * JOURNAL OF DRESS HISTORY *

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Author's Bio

Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies.

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