Stag and Stone is a timely and innovative evaluation of the interdisciplinary dialogue between religious studies and archaeology. Investigating the core concepts of materiality, perception, ritual and agency, this volume redefines conceptual categories and argues for the need of ‘critical bewilderment’ as a unique scholarly practice. This study brings together recent developments in religious aesthetics, theoretical archaeology and cultural studies. Taking as its focus ‘troublesome’ objects and places—those deemed ambiguous in purpose and meaning—the case studies presented here contribute new knowledge to a range of areas, including the ontology of matter, agency of images, animal–human studies, and early medieval norse and insular material culture. Stag and Stone offers useful insights to upper level undergraduates, postgraduates and researchers in the areas of heritage and cultural studies, theoretical archaeology, animal studies, religious studies and art history.

Dr Jay Johnston (B.A., M.Art Admin., M.Litt(Dist), M.A.Hons, PhD) is an interdisciplinary researcher who utilises her training in religious studies, continental philosophy, gender studies, and art history to investigate theories of the intermediary, or 'in between', and its role in religious belief and practice. In particular she rethinks theories of embodiment, agency, image and materiality and their use in the construction of individual identity, religious belief and the negotiation of cultural difference. Current projects include investigating the proposition of 'prehistoric religion' and the interpretation of artefacts, images and texts of ritual power. Specific areas of interest include cultural exchange in Late Antiquity and Scottish and Norse cultures pre1400. Previous research has focused on energetic concepts of embodiment (subtle bodies), forms of intermediary subjectivity and diverse spiritual epistemologies. Dr Johnston has also undertaken curatorial and research projects that explore religious aesthetics including viewer experience, the cultivation of perception and the interrelation of aesthetics and ethics.