Soviet materialities explores how material transforms our understanding of Soviet culture, from the textures of domestic space in 1960s apartment blocks to Gulag labour on the Moscow canal, and from avant-garde literary theory in the 1920s to conceptual art under perestroika. It starts from the ethos that the material world shapes people and society. Taking a material approach—or a range of material approaches—can therefore illuminate aspects of the cultural production and lived experiences of Soviet socialism that are not reflected in other kinds of historical records. This edited volume brings cutting-edge research by emerging scholars together with the established voices who have broken the ground in this sub-field over the last twenty years and promises to make a major intervention in the study of Soviet history and culture.

‘This important volume traces the many ways in which materiality shaped Soviet subjectivities, structured social meaning, and conditioned historical processes. In so doing, the collection forcefully demonstrates the value of taking the mutually-constitutive relationship between humans and objects seriously. Indeed, the individual contributions show this approach to be especially productive at the newest frontiers of Soviet studies, especially histories of emotions, time and memory studies, and sensory and corporeal histories. Provocatively, the book also suggests that the Soviet Union’s own schools of materialist thought might retain contemporary relevance as an alternative tradition of thinking about materiality. A major contribution in its own right, Soviet materialities is also a lodestar for future research.’
—Antony Kalashnikov, University of Waterloo, editor of Time and Material Culture: Rethinking Soviet Temporalities and author of Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time

‘Soviet materialities is that rare thing in an edited volume: a tightly conceived polyphony where rich dialogues emerge between and across essays. In its capacious attention to materials, it reveals, recuperates and interrogates specifically Soviet understandings of the interaction between human and object worlds. It marks an important reorientation of our scholarly field.’
—Emma Widdis, University of Cambridge, Professor of Slavonic Studies, Author of Socialist Senses: Film, Feeling, and the Soviet Subject

‘Soviet materialities is much more than an indispensable resource for those seeking new research informed by recent writing on material culture in an area where such theories were foreshadowed (and subsequently overlooked). The essays anthologized here reveal a wholly revitalized sphere of inquiry into the creative and lived experiences that shaped the former Soviet space. They span a remarkable range of approaches, periods, and, indeed, materialities, all stemming from the proposition that a renewed focus on the particularities of human engagement with the material world (whether artistic, domestic, or sacred) is urgently needed in our own time. Authored by a diverse group of scholars, some established, many newly published in literary, anthropological, and art historical disciplines, these texts accomplish an extraordinary feat given the challenges of original research we all encounter; they should succeed in conveying the vibrancy of our field to readers in many disciplines, and appeal as well to those for whom the strange may now become both more compelling and familiar.’
—Jane A. Sharp, Rutgers University, Research Curator, Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Museum, author of Russian Modernism between East and West: Natal’ia Goncharova and the Moscow Avant-Garde, 1905-14

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Mollie Arbuthnot is Assistant Professor of History at Nazarbayev University
Christianna Bonin is Assistant Professor of Art History and Theory at American University of Sharjah
Gabriella A. Ferrari is an independent scholar of Russian and Soviet visual culture