In 1948, the poet Eugenio Montale published his Quaderno di traduzioni and created an entirely new Italian literary genre, the “translation notebook.” The quaderni were the work of some of Italy’s foremost poets, and their translation anthologies proved fundamental for their aesthetic and cultural development.

Modern Italian Poets shows how the new genre shaped the poetic practice of the poet-translators who worked within it, including Giorgio Caproni, Giovanni Giudici, Edoardo Sanguineti, Franco Buffoni, and Nobel Prize-winner Eugenio Montale, displaying how the poet-translators used the quaderni to hone their poetic techniques, experiment with new poetic metres, and develop new theories of poetics.

In addition to detailed analyses of the work of these five authors, the book covers the development of the quaderno di traduzioni and its relationship to Western theories of translation, such as those of Walter Benjamin and Benedetto Croce. In an appendix, Modern Italian Poets also provides the first complete list of all translations and quaderni di traduzioni published by more than 150 Italian poet-translators.

‘This excellent book celebrates richness and versatility of a canon within a canon… Blakesley’s command of Italian and of the nuances of the language(s) and form(s) of poetry – as well as his knowledge of the history and development of the Italian literary canon – make him an insightful commentator and a trustworthy guide.’

‘It is certainly a profound study in terms of literary criticism.’

‘Blakesley’s admirably scholarly endeavour will not only benefit the field of translation studies, but also the study of twentieth-century Italian poetry.’

‘This is a very significant scholarly achievement, one which brilliantly manages to show the intricate patterns on the other side of the literary carpet.’

Jacob S.D. Blakesley is a part-time Lecturer in Italian and Translation at Durham University and a visiting research fellow in Italian at the University of Leeds.