Mina’i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds – genuine fragments of pots – can we build an authentic picture of what mina’i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina’i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.

Prizes

Short-listed for The Islamic Republic of Iran's World Award for Book of the Year 2026 (UK)

This is the first and most welcome monograph on the so-called mina’i wares. Its originality lies on the corpus, based here on sherds instead of on often unreliable complete vessels. Richard McClary’s erudite approach includes an attempt to classify these wares according to different styles. A valiant tour de force. -- Yves Porter, Aix-Marseille Université

Dr Richard Piran McClary is a Senior Lecturer in Islamic Art and Architecture at the University of York. He received his doctorate from the University of Edinburgh in 2015. He has lectured extensively on a range of subjects related to medieval Islamic art and architecture, and has conducted fieldwork in India, Iran, Turkey, Central Asia and across the Middle East. He is a specialist in the architecture and ceramics of the medieval Iranian world, and the history of the Islamic art market. He has published three monographs; Mina’i Ware: A Reassessment and Comprehensive Study of Iranian Polychrome Overglaze Wares through Sherds (EUP, 2024), Medieval Monuments of Central Asia. Qarakhanid Architecture of the 11th and 12th Centuries (EUP, 2020), and Rum Seljuq Architecture 1170-1220. The Patronage of Sultans (EUP, 2017). He has edited Stucco in the Islamic World: Studies of Architectural Ornament from Spain to India (EUP, 2025), and co-edited a volume with Andrew Peacock, entitled Turkish History and Culture in India. Identity, Art and Transregional Connections (Brill, 2020). He has also published articles in numerous journals, including: Muqarnas, Iran, Persica, Anatolian Studies, the International Journal of Islamic Architecture, and the Journal of the Royal Asiatic Society. He has served as a trustee and the Research Director for the British Institute of Persian Studies, and is managing editor of the Journal of Islamic Art and Architecture.