Decolonizing Bodies offers novel theorizations of how racial capitalism, colonialism, and heteropatriarchal violence erode the bodily schema and experiences of racialized and colonized populations, profoundly constraining their being in the world. The book invigorates embodiment studies by centering the experiences and struggles of Black, Indigenous, colonized, disabled, queer, and racialized subjects, showing how they live these displacements and disintegrations.

The volume powerfully demonstrates how racism and colonialism sediment in bodily and habitual registers that are active, ongoing, made and remade. Bodies, the contributors argue, powerfully register the impacts of colonial and racialized violence, but through practices of embodiment, they also digest, expel, and transform them. In centering non-normative subjective experiences and making space for different kinds of embodied knowledge, Decolonizing Bodies also takes a step toward decolonizing academic knowledge.

This exciting and urgent book offers readers new ways of imagining, choreographing and enacting the body. Beyond connecting distant geographies of harm, it celebrates polymorphous decolonial repertoires that record, creatively narrate, and heal.

Decolonizing Bodies reveals both resilience and vulnerabilities of the sensuous bodies as the foundation of meaning, experience, and transformation. The rich collection of personal, scholarly, and artistic stories invites the readers to engage their own bodily awareness to sense and feel with the authors. The book is a call for reimagining the way we embody our communities and relationships through decolonial healing. * Sachi Sekimoto, Minnesota State University, Mankato, USA *
Ureña & Varma’s generative, wide-ranging, multi-genre collection puts flesh and blood on decolonizing as a mode of being-perceiving-theorizing that reorients our attunement to self and world and conclusively transforms our creative and scholarly practice. Whether analyzing urban gardens in Kashmir and Colombia, reading racist US archives or mapping a process-driven exploration for a film in progress, each contribution enacts a vital aspect of the reclamation and reinterpretation integral to decolonizing knowledge. * Lata Mani, author of Myriad Intimacies and director of The Poetics of Fragility. *

Carolyn Ureña is the Director of Academic Advising in the College of Arts and Sciences at the University of Pennsylvania, USA.

Saiba Varma is Associate Professor of Anthropology at the University of California, San Diego, USA.