Presenting engaging, thought-provoking stories across centuries of military activity, this book demonstrates just how extensively Shakespeare's cultural capital has been deployed at times of national conflict. Drawing upon scholarly expertise in Shakespeare and War Studies, first-hand experience from public military figures and insights from world-renowned theatre directors, this is the first material history of how Shakespeare has been used in wartime. Addressing home fronts and battle fronts, the collection's broad chronological coverage encompasses the Seven Years' War, the American War of Independence, the Napoleonic Wars, the Russian War, the First and Second World Wars, and the Iraq War. Each chapter reveals an archival object that tells us something about who 'recruited' Shakespeare, what they did with him, and to what effect. Richly illustrated throughout, the collection uniquely uncovers the agendas that Shakespeare has been enlisted to support (and critique) at times of great national crisis and loss.

'Amy Lidster and Sonia Massai have assembled an impressive slate of international contributors to explore the wartime deployment of Shakespeare over the span of two and a half centuries of British history. The volume's emphasis on material artifacts-broadsheets, props, newspaper articles, posters and pamphlets, among others-is particularly exciting, as is its examination of the surprisingly complex and variable roles that Shakespeare has played in times of military conflict.' Garrett Sullivan Jr, The Pennsylvania State University
'Contributions from Shakespeare scholars, historians, theatre professionals and former members of the military span 400 years of examples, revealing how Shakespeare's plays have been so often deployed in justifying actions in or toward war. The complex realities of Shakespeare at war are animated not simply through textual analysis of familiar plays but equally by a dazzling range of material resources—props, playbills, production photos and posters among them. Shakespeare at war has been, as this collection amply illustrates, a topic for all time, but it is inescapably relevant, even urgent, now and readers will be richly rewarded for their engagement with the breadth of ideas and iterations explored here.' Susan Bennett, University of Calgary
'Who better than Shakespeare is there to tell us what men and women face and feel 'when blood is their argument'?  The appropriation of the Bard in violent times and the staggering variety of images, beliefs, rhetoric and parody his plays offer to those afflicted by war are at the heart of this dazzling and delightful book.' Jay Winter, Yale University
'I was drawn into this absorbing book, a wide-ranging collection of essays which bear out what the editors say about Shakespeare's plays being 'embedded' in our culture. The collection admits a marked plurality of voices and histories, reminding us that the past is altered by the present, just as the present is directed by the past. As warfare changes, so do we; and as we change, so too, perhaps, does Shakespeare.' Hugh Quarshie
'Recommended.' S. Magedanz, CHOICE

Amy Lidster is a Departmental Lecturer in English Language and Literature at the University of Oxford. She is the author of Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre (Cambridge University Press, 2022) and Authorships and Authority in Early Modern Dramatic Paratexts (Routledge, forthcoming). Her work has appeared widely in books and journals, including Old St Paul's and Culture (Palgrave, 2021), Shakespeare Survey, and Renaissance Drama. She is currently finishing Wartime Shakespeare: Performing Narratives of Conflict, a companion monograph linked to this edited collection, and preparing the introduction for the Oxford World's Classics edition of 1 Henry VI. Sonia Massai is a Professor of Shakespeare Studies at King's College London. Her publications include Shakespeare's Accents (Cambridge University Press, 2020), which was CHOICE Best Academic Book 2021, and Shakespeare and the Rise of the Editor (Cambridge University Press, 2007). She has edited collections of essays about Hamlet (2021), Ivo van Hove (2018), Shakespeare and Textual Studies (Cambridge University Press, 2015) and on World-Wide Shakespeares (2005), and critical editions of The Paratexts in English Printed Drama to 1642 (2014) and John Ford's 'Tis Pity She's a Whore (2011). She is currently editing a new edition of Richard III and has been appointed General Editor of the Cambridge Shakespeare Editions series.