This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century.

One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.

Vikrant Kishore is an academic, film-maker, journalist, photographer and currently Lecturer in Media at RMIT University, Melbourne, Australia.

Amit Sarwal is Honorary Associate Professor at RMIT University, Melbourne, Australia and Founding Convenor of the Australia–India Interdisciplinary Research Network.

Parichay Patra is a doctoral candidate in the Department of Film and Screen Studies, School of Media, Film and Journalism, Monash University, Melbourne, Australia.