This book offers a thoroughgoing literary analysis of William Cobbett as a writer. Leonora Nattrass explores the nature and effect of Cobbett's rhetorical strategies, showing through close examination of a broad selection of his polemical writings (from his early American journalism onwards) the complexity, self-consciousness and skill of his stylistic procedures. Her close readings examine the political implications of Cobbett's style within the broader context of eighteenth-and early nineteenth-century political prose, and argue that his perceived ideological and stylistic flaws - inconsistency, bigotry, egoism and political nostalgia - are in fact rhetorical strategies designed to appeal to a range of usually polarized reading audiences. This re-reading revises a critical concensus that Cobbett is an unselfconscious populist whose writings reflect rather than challenge the ideological paradoxes and problems of his time.

'[This] valuable book makes it possible even for those who find Cobbett's ideas in themselves too often naive, wrongheaded, or repellent, to continue to admire his art. It also goes far to account for Cobbett's undoubtedly enormous influence in his day.' James Sambrook, Romanticism

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