In a world in which many photographers seek to avoid definition, Roger Ballen’s photographs define themselves in their defiance of classification and genre: his world stands out as one of a kind. The black-and-white images featured in Asylum of the Birds were created exclusively within the confines of a house in a Johannesburg suburb, the location of which remains a guarded secret. The inhabitants of the house, both human and animal – including, most notably, the ever-present birds – are the cast of Ballen’s world, performers amidst the theatrical interiors that they create and he orchestrates. The resulting images exist in a space between painting, drawing, installation and photography. They are timeless, psychologically powerful and masterfully composed.

'Provocative, graphic, and unlike anything else you’re likely to have seen' - British Journal of Photography
'Ballen is a true original who not only defies genres, but defines his own artistic space' - Hungry Eye
'A culmination of Ballen’s previous works and a step further forward (or downward, if we use his analogy) in his exploration of the deepest, most confusing parts of his existence' - Daily Telegraph
'A truly unique artistic vision. Highly recommended' - Lens Culture

Roger Ballen is one of the most important and distinctive art photographers working today. His previous books with Thames & Hudson include Asylum of the Birds, The Theatre of Apparitions and Ballenesque.