Tamara de Lempicka

Tamara de Lempicka

hardback
Published: 5 November, 2024
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Description

A landmark retrospective on the Art Deco painter exploring her intersectional identities
 
Tamara de Lempicka (1894–1980), the “Baroness with a Brush,” is often cast as one of Art Deco’s most celebrated artists, though her work transcends categorization, incorporating elements of Cubism and Neoclassicism in a distinctive, sensuous blend of form and function. Lempicka’s paintings, including a self-portrait as the driver of a sleek green Bugatti, often depict dazzling, self-assured women, exuding elegance and transgressive sexuality while combining the modern with the classical.
 
This gorgeous survey presents the full arc of Lempicka’s career in the context of her life and her evolving identity, including her Polish and Russian origins, her marriages and other relationships, and her time in France, Italy, and the United States. This book unfolds chronologically through three sections that mark the stages of the artist’s life and the evolution of her artistic style, with particular focus on her Jewish heritage, her expression of gender, and her sexuality.
 
Published in association with the Fine Arts Museums of San Francisco
 
Exhibition Schedule:
 
de Young Museum, San Francisco
(October 12, 2024–February 9, 2025)
 
The Museum of Fine Arts, Houston
(March 9–May 26, 2025)
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More Details

Type Book
ISBN13 9780300278507
ISBN10 0300278500
Number Of Pages 296
Item Weight 1000 g
Publisher / Reseller Yale University Press
Format hardback
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Media Reviews

Listed in Seele’s “Holiday Gift Guide: Things You Can’t Go Wrong With”

“If you are a fan of the iconic Polish artist, it feels incomplete to bid farewell to 2024 without this gorgeous book retracing the her footsteps and her art. . . . This is one great title to keep or to gift.”—Vivienne Chow, Artnet, “12 Magical, Surreal, and Beguiling Books for Art Lovers to Crack Open This Holiday Season”

“This catalogue is more than a tribute; it is a reappraisal. With outstanding reproductions and insightful essays, it restores De Lempicka to her rightful place in twentieth-century art history – not just as an icon of Art Deco, but as a master of her craft, a strategic image-maker and a woman who wielded glamour as both subject and weapon.”—Nina Folkersma, Burlington Magazine

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Author's Bio

Gioia Mori is professor of history of contemporary art at Accademia di Belle Arti, Rome. Furio Rinaldi is curator of drawings and prints at the Fine Arts Museums of San Francisco.

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