Roubiliac and the Eighteenth-Century Monument :Sculpture as Theatre
Roubiliac and the Eighteenth-Century Monument :Sculpture as Theatre
hardback
Published:
27 September, 1995
hardback
Published:
27 September, 1995
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Description
Louis François Roubiliac, the most compelling sculptor in eighteenth-century Britain, was responsible for many complex and dramatic monuments that can be seen in Westminster Abbey and churches throughout the country. This book is not only the first extended treatment of the artist since 1928 but is also an exploration of tomb sculpture in the context of the period.
The first section, written by David Bindman, discusses the reasons for the commissioning of tomb sculpture, ideas of death and the afterlife, the setting of the tomb, the themes that govern its imagery, and the negotiations between sculptor and patron. The second section, written by Malcolm Baker, examines in detail the processes involved in the design and making of the monuments. Through an analysis of the monuments themselves, the surviving models, and a range of documentary evidence, Baker considers Roubiliac's technical procedures and compares them to those of other sculptors in Britain and on the continent. The volume ends with a full catalogue raisonné of Roubiliac's known monuments. Each commission is discussed in detail, with full accounts of contemporary documentation, inscriptions, physical construction, and related models.
By examining the particular social and religious conditions of the time it becomes possible to account not only for the distinctive features of Roubiliac's work and practice but also for how such theatrical works came to be accepted and admired. The book is fully illustrated, all the major works having been newly photographed to make visible details that are impossible to see under normal viewing conditions.
Published for the Paul Mellon Center for Studies in British Art
The first section, written by David Bindman, discusses the reasons for the commissioning of tomb sculpture, ideas of death and the afterlife, the setting of the tomb, the themes that govern its imagery, and the negotiations between sculptor and patron. The second section, written by Malcolm Baker, examines in detail the processes involved in the design and making of the monuments. Through an analysis of the monuments themselves, the surviving models, and a range of documentary evidence, Baker considers Roubiliac's technical procedures and compares them to those of other sculptors in Britain and on the continent. The volume ends with a full catalogue raisonné of Roubiliac's known monuments. Each commission is discussed in detail, with full accounts of contemporary documentation, inscriptions, physical construction, and related models.
By examining the particular social and religious conditions of the time it becomes possible to account not only for the distinctive features of Roubiliac's work and practice but also for how such theatrical works came to be accepted and admired. The book is fully illustrated, all the major works having been newly photographed to make visible details that are impossible to see under normal viewing conditions.
Published for the Paul Mellon Center for Studies in British Art
Prizes
Winner of Mitchell Prize for the History of Art 1996
More Details
| Type | Book |
|---|---|
| ISBN13 | 9780300063332 |
| ISBN10 | 0300063334 |
| Number Of Pages | 424 |
| Item Weight | 1588 g |
| Publisher / Reseller | Yale University Press |
| Format | hardback |
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Author's Bio
David Bindman is Durning-Lawrence Professor of History of Art and head of department at University College, London. Malcolm Baker is senior research fellow in eighteenth-century studies at the Victoria and Albert Museum, London.