A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years.

Adapted into a 1987 film starring Colin Firth, Natasha Richardson and Kenneth Branagh, A Month in the Country traces the slow revival of the primeval rhythms of life so cruelly disorientated by the Great War.

The book I keep coming back to, it's one of the best books I've ever read. I've never met anyone who didn't love it * Richard Osman *
I wanted to write A Month in the Country in space - a brief, lovely homage to the natural world, pastoral writing about how deeply humans respond to our natural environments and the relationship between beauty and survival. In the end (I guess inevitably) the two books bore very little resemblance, but I don't think Orbital would exist without it * Samantha Harvey, author of Orbital *
Unlike anything else in modern English Literature -- D.J. Taylor * Spectator *

James Lloyd Carr, born 1912, attended the village school at Carlton Miniott in the North Riding and Castleford Secondary School. He died in Northamptonshire in 1994. His novel A Month in the Country won the Guardian Fiction Prize, was shortlisted for the Booker Prize and made into a memorable film.