Bollywood Sounds :The Cosmopolitan Mediations of Hindi Film Song

3.75 ( 4 Ratings by Goodreads)
Bollywood Sounds

Bollywood Sounds :The Cosmopolitan Mediations of Hindi Film Song

(Author)
3.75 (4 Ratings by Goodreads)
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Published: 11 December, 2014
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Description

The vast majority of films produced by Mumbai's commercial Hindi language film industry - known world-wide as Bollywood - feature songs as a central component of the cinematic narrative. While many critics have addressed the visual characteristics of these song sequences, very few have engaged with their aurality and with the meanings that they generate within the film narrative and within Indian society at large. Because the film songs operate as powerful sonic ambassadors to individual and cultural memories in India and abroad, however, they are significant and carefully-constructed works of art. Bollywood Sounds focuses on the songs of Indian films in their historical, social, and commercial contexts. Author Jayson Beaster-Jones walks the reader through the highly collaborative songs, detailing the contributions of film directors, music directors and composers, lyricists, musicians, and singers. A vital component of film INSERT: Featured in British Forum for Ethnomusicology insert 2014 on broadcast media, Bollywood songs are distributed on soundtracks by music companies, and have long been the most popular music genre in India - even among listeners who rarely see the movies. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs mediate a variety of influences, musical styles, instruments, and performance practices to create this distinctive genre. Beaster-Jones argues that, even from the moment of its inception, the film song genre has always been in the unique position of demonstrating cosmopolitan orientations while maintaining discrete sound and production practices over its long history. As a survey of the music of seventy years of Hindi films, Bollywood Sounds is the first monograph to provide a long-term historical insights into Hindi film songs, and their musical and cinematic conventions, in ways that will appeal both to scholars and newcomers to Indian cinema.
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More Details

Type Book
ISBN13 9780199862542
ISBN10 0199862540
Number Of Pages 264
Item Weight 386 g
Product Dimensions 155 x 231 x 15 mm
Publisher / Reseller Oxford University Press Inc
Format paperback
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Media Reviews

Bollywood Sounds is an exciting addition to the literature on Hindi film song. Beaster-Jones deftly weaves together song analysis, biography, and socio-political context to provide insights about meaning and style on every page. * Anna Schultz, Stanford University *
This work is destined to become a core text for the study of Indian popular music. It introduces readers to a wealth of carefully analyzed Hindi film hits, accompanied by considerations of the roles of central musical figures and historical/cultural context. It will be an indispensable starting point for scholars and students interested in the Hindi cinema and its music. It is both fascinatingly detailed and ambitiously comprehensive in scope. * Gregory Booth, co-editor of More than Bollywood (2013) *
Beaster-Jones has given the first broad historical sweep of Hindi film songs from the beginning of sound film and the birth of the Indian film song in 1931 to the present day of programming, Internet and cellphones. The book's deft and articulate interweaving of analysis of the musical sounds, styles and techniques of Hindi film songs with social, economic and political change greatly enriches our understanding of this sometimes bewilderingly dynamic phenomenon. * Anna Morcom, author of Hindi Film Songs and the Cinema (2007) *

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Author's Bio

Jayson Beaster-Jones is Assistant Professor of Music and Performance Studies at Texas A&M University. He has conducted several years of ethnographic research on music, commodities, and value in the North Indian music industry. He has published his research in the journals Ethnomusicology, Popular Music, and South Asian Popular Culture and has contributed chapters to several edited volumes.

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