One of the finest and best-known novels of the Harlem Renaissance

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI, through Jake, an African American longshoreman who deserts the U.S. army and returns to his home in Harlem, and Ray, a Haitian intellectual expatriate. With his use of dialect, McKay portrays these men and other working-class characters who try to stay afloat in a complex world of isolation, racial discrimination, and excitement drawn from Harlem’s jazz nightlife. Home to Harlem sparked controversy among Black middle-class critics, such as W.E.B. Du Bois, who considered it reductive and stereotypical, while other critics such as Langston Hughes embraced it for its frankness and for the relevance of McKay’s reflections on the Black working-class experience and the social and racial inequalities of the day. This debate within the Harlem Renaissance literary world and curiosity about Harlem from white readers drove Home to Harlem to become the first commercial bestseller by an African American novelist.

Claude McKay (Author)
Claude McKay was born in Jamaica, and moved to the U.S. in 1912 to study at the Tuskgee Institute. In 1928, he published his most famous novel, Home to Harlem, which won the Harmon Gold Award for Literature. He also published two other novels, Banjo and Banana Bottom, as well as a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica and a work of non-fiction, Harlem: Negro Metropolis. His Selected Poems was published posthumously, and in 1977 he was named the national poet of Jamaica.

Belinda Edmondson (Introducer)
Belinda Edmondson is Distinguished Professor in the departments of English and Africana studies at Rutgers University-Newark. She is the author of several books on Caribbean literature and has won numerous grants and fellowships for her research.